Friday, November 20, 2009

The Foundry Recognized as Leading British Innovator

November 19, 2009

Source : The Foundry

This week Lord Drayson and James Caan joined industry leaders in celebrating companies at the leading edge of science, technology and innovation.

The iawards ceremony at the Science Museum saw the teams behind this year’s best British innovations rewarded for developing practical solutions to some of today’s big challenges.

The Foundry, a leading developer of visual effects (VFX) software whose products have been used to make recent ‘must see’ movies including District 9, Terminator Salvation and Transformers, won the “iaward for entertainment and media”, sponsored by The British Library and presented by John Seargent.

The award was given in recognition of The Foundry’s development of Ocula, the first set of dedicated software tools for 3D film post-production, which address common problems experienced with stereoscopic imagery.

Chair judge, Dr Lincoln Wallen, Head of Research and Development for DreamWorks Animation SKG, said:
“The Foundry’s Ocula is likely to have a significant impact on the film industry and as such we are proud to announce it as the winner of the 2009 iawards ‘entertainment and media category’. We look forward to seeing the results in many upcoming films that have benefited from the use of this technology.”

Bill Collis, CEO, The Foundry, said:
“We are thrilled to have won the iaward for entertainment and media. It’s fantastic for us to be acknowledged as a leading innovator by such a distinguished panel of judges. We are extremely proud to be a British company succeeding on a global level within the film industry. Thank you to the organisers and judges of the iawards for this incredible recognition.”

Hosting the event, Science and Innovation Minister, Lord Drayson said:
“The iawards winners epitomise the best of British innovation that will drive the future growth of our economy and make Britain a better place to live and work. I’m delighted to be part of an event celebrating British success.“

Co-host, business entrepreneur, James Caan said:
“All of the finalists have demonstrated that Britain is home to some of the best innovators in the world. I’m privileged to be part of the iawards and recognise and honour all finalists for their expertise and vital contribution they make to our economy. I’d like to say huge congratulations to all of the winners who have helped bring the deserved attention to these new technologies and innovations.”

Friday, November 13, 2009

District 9 - VFX compositing in Nuke














Video showing details on how Nuke was used for complex VFX shots in District 9.

Friday, November 6, 2009

Nuke walk-through by rise|fx











Florian Gellinger, vfx supervisor at rise | fx Berlin, shows off the work they did in Nuke from previs thru finish for the film "This is Love".


Wednesday, November 4, 2009

Coloring a New Dimension - Translating 2D color grading to a 3D environment.

910MILSiggy-at-Da-Vinci.jpg
About a year before Colorist Stefan Sonnenfeld here atCompany 3performed the color-grading work on Disney's 3D featureG-Force, a group of us under him started preparing for the industry's movement toward 3D production. The specifications of a 3D image as it's projected in a theater are very different from those of a 2D image, and that goes far beyond the obvious fact that there are two images (the left and right eye) being put on a screen simultaneously. The projector brightness is considerably less; the screen reflectivity, at least in the RealD process we used for G-Force, is considerably more; and the glasses people wear in the theaters have a tint to them. Those factors alone considerably alter the way color and contrast must be treated between 2D and 3D presentations. More:
http://digitalcontentproducer.com/dcc/revfeat/3d_coloring_1030/index.html

Tuesday, November 3, 2009

Foundry Acquires Katana from SPI for Nuke



















The Foundry have acquired the technology of Sony Pictures Imagework's (SPI) Katana 3D lighting & compositing package. Katana's hardcore lighting node based technology will be integrated into an upcoming version of the Foundry's Nuke 2D package. We spoke to both companies about why SPI would part with such a great in house tool and why the Foundry needs another compositing lighting system, in this online exclusive.

Monday, November 2, 2009

Cine-tal : Display Processing Solutions





A very good presentation by Cine-tal which discusses digital display dilemmas and the challenges encountered when trying to match different display devices. It also explains how the various hardware and software solutions offered by Cine-tal can be deployed to address these issues.